Last month I mentioned the debate in Israel about what constitutes 'Israeli' literature, as a leading national Hebrew literary prize, the Sapir Prize, changed its rules to limit eligible authors to those resident in Israel.
The Economist's Prospero shows just how silly it is to try to straightjacket Israeli/Hebrew literature, in All Change. All for the good, I would think -- but fascinating also to see the extent of it.
The Economist's Prospero shows just how silly it is to try to straightjacket Israeli/Hebrew literature, in All Change. All for the good, I would think -- but fascinating also to see the extent of it.